Mark Erelli

Mark Erelli

Lisa Bastoni

Thu · March 22, 2018

Doors: 6:30 pm / Show: 7:00 pm

The Parlor Room

$17/Adv, $20/Door

This event is all ages

Mark Erelli
Mark Erelli
Growing up in the years between LPs and CDs makes Mark Erelli a member of the cassette generation, a vintage of music fan that fondly remembers the mixtape. Making these homemade compilations required a certain degree of dedication and craftsmanship, with hand-lettered fonts and drawings on the label signifying a personal touch. “Before dragging, dropping or streaming,” says Erelli, “I waited by the stereo, finger hovering over the ‘record’ button, to capture my favorite songs as they were broadcast.” Erelli vividly recalls how the whole process felt like “so much more than just a collection of songs. Working up the courage to give someone a mixtape didn’t just say ‘this music matters to me,’ it also said ‘you matter to me.’

This joint declaration of appreciation—for both his favorite music and his audience—is plainly evident on Mark Erelli's 11th album, Mixtape, his first collection exclusively of cover songs. ”I remember taking my time with mixtapes for some special people back in the day,” Erelli admits, “but this is the first time I ever spent 13 years making one.” Mixtape features songs culled from thirteen years’ worth of Erelli and friends’ annual Under The Covers shows, performed each December at Harvard Square’s famed folk mecca Club Passim. The covers show provides a valued tradition for Erelli and regulars like Lori McKenna, Rose Cousins, Jake Armerding and Mixtape producer Zachariah Hickman. “It’s the organizing principle of my entire year,” claims Erelli. “The day after each year’s show, I start compiling a new list of potential covers for the following year’s gig.”

Mixtape draws on inspiration from the past 50 years of popular music, covering artists Erelli considers to be fundamental influences (The Band, The Grateful Dead, Richard Thompson) alongside newer favorites like Neko Case and Arcade Fire. According to Erelli, “groups like The Dead were ‘gateway bands,’ because in the process of getting hooked on their music I also got exposed to bluegrass, jazz, early rock n’ roll and so much more.” Erelli’s elegiac take on Jerry Garcia and Robert Hunter’s “Brokedown Palace” kicks off the album, with a string prelude that signals he is forging ahead into new sonic territory. By the time Arcade Fire’s “My Body Is A Cage” hits, deep on Mixtape’ssecond side, Erelli’s is howling with abandon, his voice surfing a veritable maelstrom of strings, skittering drums and thunderous, dark piano chords.
Lisa Bastoni
Lisa Bastoni
Following a ten year break from music, a career change, and two children, Lisa Bastoni has returned with The Wishing Hour (2017). Produced by Grammy-nominated songwriter and producer Felix McTeigue (Anais Mitchell/Lori McKenna), the album debuted as #1 most played on Boston's WUMB. In the past year, Lisa has been selected to showcase at the New England Regional Folk Alliance (NERFA) conference, as well as the Falcon Ridge and New Song Music/LEAF Festivals. Her song "Rabbit Hole" was grand prize winner of the Great American Song Contest. She has opened for artists such as Lori McKenna, The Low Anthem, Regina Spektor and Arlo Guthrie. "Americana of the highest order...along the lines of Gretchen Peters or Patty Griffin" (Maverick-UK).
Venue Information:
The Parlor Room
32 Masonic Street
Northampton, MA, 01060