OUTDOOR FESTIVAL ON RACE STREET
Rubblebucket's Dream Picnic
Flaming Lips duo: Brothers Griiin After Party, Diet Cig, Caroline Rose, Mal Devisa
Sat · September 8, 2018
Doors: 1:00 pm / Show: 2:00 pm
Gateway City Arts
$29.50/Early Bird, $34.50/Early Bird + After Party!
This event is all ages
This event is minors under 18 with parent or legal guardian
Food and drink available from the Bistro at Gateway City Arts from 4pm throughout the show.
The Bistro at Gateway City Arts serves fresh, locally-sourced New American Cuisine for lunch, dinner and Sunday brunch. They also have a complete bar and seasonal outdoor beer garden that serves beer, wine, and classic as well as signature cocktails. For menus and more details please go to:
To contact the kitchen please call 413-650-0786 or email@example.com
In summer 2015, after finishing a year of intense touring, Rubblebucket’s Kalmia Traver and Alex Toth began the process of bringing their next record to life. As an experiment, Kalmia asked Alex (her longtime romantic partner) to move out while they worked on the album, then accepted the marriage proposal he made during a recording session just a month later. Although Alex soon moved back in, their 11-year relationship ended when the two chose to ‘consciously uncouple’ the following spring—a decision they honored by ceremoniously giving each other matching triangular daisy tattoos (a nod to the title track from Rubblebucket’s 2010 EP). But despite all the sadness brought on by their breakup, Kalmia and Alex kept on writing and recording together, ultimately creating Rubblebucket’s most transcendent album to date.
Co-produced by Kalmia and Alex, Sun Machine documents the pain of ending their romantic relationship, yet emerges as an unbridled and often-euphoric celebration of their lasting connection. While the breakup inspired much of the album, Sun Machine is deeply informed by several other life-changing occurrences in recent years: Kalmia’s diagnosis with ovarian cancer in 2013 (followed by a round of surgeries and chemo treatments), Alex’s decision to get sober after a long struggle with alcoholism, and the couple’s three-year-long attempt at maintaining an open relationship. The result is a strange and beautiful paradox: a party album rooted in radical mindfulness, a breakup record imbued with each partner’s palpable love for the other.
With its airy melodies and lavish textures, dream-logic sensibilities and dancey rhythms, Sun Machine radiates the bright and joyful energy encapsulated in its title. “It’s a reference to the sun as this abundant natural resource we all have available to us—but it’s also about the inner sun, the magma in our hearts,” says Kalmia. “When you can access that, you’re able to get through really hard moments, and evolve and develop creatively. I think that’s the best way to explain how I was able to work through the process of the two of us transforming our relationship in a positive way.”
More details to come.
You may recognize the Brothers Griiin as the fearless drumming duo behind The Flaming Lips, but after the show these international DJ destroyers bring the party to the people.
Matt Duckworth (Stardeath and White Dwarfs) and Nicholas Ley (Colourmusic) were friends as regulars in the Oklahoma music scene until they each got the call to join the Flaming Lips in early 2014. The plan was to alternate drumming duties for the Lips in between their other tours at first, but after a few shows with both drummers it was decided that the Lips would only play with the "Brothers". Matt and Nick learned quickly how they complemented each other with acoustic and electronic drums but also how their ability to swap duties within the band and offer other musical options.
It was during the preparation for the Miley Cyrus and her Dead Petz tour that Matt and Nick realized there was another musical venture they'd like to tackle together. "These days, the rock bands at festivals end fairly early. And our club shows do too. For those of us in the band and crew who weren't ready to pack it in for the night, we had limited options. None of the DJ's at the after parties were playing music we liked, so we decided to start our own party..." says Ley. Duckworth confirms "Yeah, we didn't start DJing as much as we just started taking control over the after-party. So now we look for places for our friends and fans to continue partying after the Lips' explosive live shows get everyone riled up. Eventually, we'd like to just be the party."
The Brothers Griiin aren't stopping there though. With their new found love of music curation, Matt and Nick are starting to remix songs for other artists and are beginning to produce as well.
When you catch them live, the Brothers have no genre or playlist, they just spin what the party needs, all night long. Mixing funk, hip hop, pop, indie and dance, these gladiators of style and taste keep the drinks full and the dance floor packed. Go party with them, you're all invited.
It will be loud.
It will be wild.
It will be Griiin.
Sometimes epic failures produce epic results. With the release of her new album I Will Not Be Afraid, keen-eyed young singer-songwriter Caroline Rose has broken her long string of short-circuits with a live-wire national debut that draws on her roots in rockabilly, vintage country and blues to capture her unique and personal vision.
Hoping to escape the dead ends that befell her hometown, colloquially dubbed a stop on “heroin highway”, Rose found her way out via a full ride to a small liberal arts college, where she failed as a scholar, barely scraping by to graduation. Next came a stint as a failed hippie, working on and leaving an organic farm. She then bought a vintage sports car to travel the country, but it quickly broke down. On the plus side, Rose got a job at a cider distillery, where she got to taste apple brandy and applejack all day…Followed by a stint stocking shelves and sweeping floors at a grocery store for a boss who eventually fired her.
“That was the last straw,” Rose recounts. “I don’t like most bosses and most bosses don’t like me. I don’t like most professors and most professors don’t like me. So here I am. I’ve made my own way on my own terms and it’s destiny knocking on my door. BAM!”
She describes the 11 songs on I Will Not Be Afraid as “postcards I’ve picked up from along the road,” and she means that literally. Rose is in perpetual motion. She tours and lives in her van, traveling the highways and back roads to fuel her creative spirit.
Rose’s wanderlust has taken the 24-year-old from her birthplace in a not-so-idyllic small Northeastern town to every corner of the nation, where she’s made friendships, heard stories and had experiences that she’s fashioned into songs like “America Religious,” which uses a driving snare drum with brushes and psychedelic folk fiddle to underpin the cool waterfall of her peaches and molasses voice as she sings about the open skies and the storm clouds inside the American heart. And in her own.
The themes of some of Rose’s songs are drawn from the familiar. “Blood On Your Bootheels,” which opens I Will Not Be Afraid with her prickly guitar and crazy-carnival organ, was inspired by the Trayvon Martin slaying and Rose’s own passionate reaction to violence and intolerance. “Everyone seems to have their opinions about how to live free in this country, especially when it comes to young men and even more especially when it comes to young black men like Trayvon,” Rose observes. Injustice and hardship also underline “Tightrope Walker,” a song inspired by a friend’s stories about working in the school system of an impoverished Mississippi town.
But other songs literally haunt her dreams. The gorgeous textural arrangement and lyrics of “When You Go” — which evoke the openness of both the Southwest and of the future in Rose’s and co-producer Jer Coons’ shimmering guitars and her strong, defiant vocal performance — tumbled out during a night’s rest. “Sometimes songs come to me while I’m asleep and they wake me up, and that’s the best time for me to write,” Rose relates. “When I wake up my mind is like a clear glass of water. I can see everything and capture it.” That’s especially apt for the stream of consciousness lyrics that bring many of her numbers to life.
Rose’s own life seems more akin to Jack Kerouac’s On the Road. Growing up in a coastal town, her parents — who were visual artists with a love for travel — gave Rose a restless, creative spirit. And like many working class seaside locales, her hometown suffers epidemic heroin abuse.
“I saw a lot of my friends get consumed by it, but I was one of the people that got out,” Rose says. “I worked my ass off to go to college and that really was my only plan of escape at that point. I think I was in denial about being an artist.”
For two of those years Rose worked on the aforementioned farm, hoping the experience would provide her with balance and direction. “I liked the work, but I’m too city to be country and too country to be city,” she offers. “So I moved on.” When Rose worked at a cider distillery, she slept in the barn loft where she recorded many of the demos for I Will Not Be Afraid with her acoustic guitar.
“I finally accepted the idea that writing, singing and playing songs is the only thing I’ve ever really been good at,” Rose relates, “so I decided to forget about everything else and live in my car, and I hit the road.”
Rose joined a new generation of touring songwriters who blend tradition, innovation and edginess, like Hayes Carll, whom she opened for in 2014 and bandmember Jer Coons, whom Rose shared a bill with one night and discovered to be a kindred spirit. Rose produced I Will Not Be Afraid with co-production by Coons at his Burlington, Vermont studio, where they also made Rose’s 2013 self-released America Religious, playing all the guitars, keyboards, harmonica, mandolin, drums and percussion themselves.
Rose explains that the title track is her mantra. “So many people are held back by fear,” she says. “They wish they could do something else with their lives, and they just can’t take the first step. I grew up questioning everything and learned that I needed to be on my own. I needed freedom and I needed to create on my own terms and to keep moving forward without fear, wherever I go.
“I also came to understand that I don’t have any choice,” she continues. “Music is what keeps me breathing. I can’t do anything else.”
Gateway City Arts
92 Race St.
Holyoke, MA, 01040